Free trip to the barracks.

04 03b

(Decorative Arts and History Museum, Collins Barracks, Dublin 7)

We went to visit Collins’ Barracks in Dublin yesterday. I had never been. It’s just twenty minutes walk from O’Connell Street and right beside Heuston Train Station. It has free parking and free admission. We were there because I was searching for some button history and I heard the museum had a permanent exhibition of Irish clothes, jewellery and accessories. There wasn’t much on buttons but there was lots of other stuff.

04 03c

(Quote from Eileen Gray)

There was a huge area dedicated to the  life and work of Eileen Gray. She was “an Irish woman who became one of the most influential designers and architects of the 20th century.” (from the brochure.) She was still designing and working on a project when she died at 98. She had a design shop in Paris in 1922, where she sold her furniture.

04 03a

(This little book is about four inches high)

But the exhibit that had the biggest impact on me was in a glass case with no description or explanation. It seemed to be from a mother to her now dead son, Will, telling him how much she loved him and how much she misses him. He died on the 22nd of August 1776, he was almost a year old. It is sometimes difficult to connect with the characters of history, with their odd clothes and unfamiliar lifestyle, but I have no difficulty connecting with Will’s mother.

We’ll be back, Mairead.

Getting forgetful?

21 1c

(Morning! Or afternoon?)

As I sit here at 8.30am on Monday morning I wonder why I don’t sit here at 3.30pm on a Sunday afternoon. Why wait until the last minute? Why set up a habit that doesn’t support the good and the healthy? Why not set up a habit that makes life and the living of it easier? Why indeed?

21 1a

(One of my buttons on my art project)

It’s something I’ve considered previously, with some success too. There was the walking for twenty minutes a day habit, the drinking three pints of water a day habit, the blogging at 3pm every day habit, the photography every day habit, even the drawing every day habit. But for some reason it’s much easier to let those kinds of habits go and forget that they were even a consideration.

21 1b

(Focus on the important things….)

Now I’m considering…. and it seems like this might be the perfect time to reinstate some useful habits. I’ll have to be ruthless when I’m deciding which ones to reinstate. Probably best if I ask myself what I want to be doing in six months time (when my habits have taken hold.)

This could take a little time, Mairead.

My dark January.

14 1a

(From winter in Cashel 2010)

It’s January. For me that’s the time of year when my energy is at its lowest. When the winter has been long enough and I want some spring….. now! I want it now like my two-year old self wanted chocolate…. but Spring’s not ready yet. So I have to practice patience.

14 1b

(Spider art)

I thought this year it would be different. I am occupied and preoccupied by my course and I thought that would help me forget it was still winter. It hasn’t. Instead it’s shown up further “issues”. When I’m lacking patience with winter I also lack patience with everything else I meet. I am lacking patience with the accounts (my old foe), with my latest assignments, with housework, with bills, with Denis, with myself.

14 1d

(The lovely side of winter)

I had forgotten it all started with January and I was thinking, “these blasted accounts again”, “how can I ever get this history of art done?”, “when does housework finish?”….. but these are not the problem. In fact there is no problem, I just miss the light. I miss getting up after sunrise and having dinner before sunset, I want more time with the light. So I must choose… between making problems out of normal life and accepting the season called winter.

I want to choose to accept winter…. how hard can it be? Mairead.

What’s the story? Part 2

10 12a

(Widen your focus… and see the big picture)

The story of us is part of a big Map. The Map is the representation we have created in our mind of the real world outside our mind. It’s just a representation, it’s not real. Just like the map of Ireland is not Ireland, it’s just a piece of paper that represents a real place. A map is much smaller, so it can fit in your car….  A map does not include everything. A map represents mountains with colours and lines. No one believes mountains are just colours and lines they know that’s just a representation. We know a map is not the country it represents.

10 12b

(Eat well… but not these….)

But we often believe the map in our mind is real…. “this is just the way I am”, “I’m lazy”, “I have no willpower”, etc., etc. We often believe in the story of us…. It’s not real, it’s just a representation…. like the lines and the colours. It’s a representation of something that was said or heard, something that was seen or experienced… and we hung on to it and deleted any experience of the opposite…. and it’s just a map.

10 12c

(Rest regularly)

Most of the choosing of the representation of the world is done in our childhood and is influenced by the people around us – our parents, our grandparents, our siblings, our teachers and society in general. We are affected by their representation of the world. Their Map has a strong influence on how they see the world and therefore how we learn to see the world.

If there’s something you want to include in your story, start noticing it in your experience. Mairead.

What’s your story?

3 12a

(Mount Usher in Ashford, Co. Wicklow)

The story of our lives is not the story of what happened… It’s the story of what we are. The story that starts “I am….” The story we think we became because of our behaviour or our actions. The story that says this is the type of person I am. This story is probably built up from lots and lots of small experiences and things other people told us…  From the moment we learned the story of us everything that happened after that had to fit into that particular story. It had to make sense in our story. If it didn’t then it got deleted… We become very attached to our story.

3 12c

(Strong, beautiful tree even with all its flaws…)

Like a film maker producing a movie about a famous politician – only stories that agree with the filmmaker’s belief about the politician will be included…. if he believes the politician is a wonderful honest statesman then the stories from his life that show him as an honest and a wonderful statesman will be included. If the filmmaker believes that the politician is a dishonest scoundrel then the film maker will depict stories from the politician’s life where he is dishonest and a scoundrel. The filmmaker may be completely honest in his choices, i.e. he truly believes the politician is honest or he truly believes the politician is dishonest.

03 12d

(At the boundary of Mount Usher there’s a fence. Beyond the fence there’s a field with very old trees. You can either see the fence or shift your focus a bit and see the trees…..)

Same with our choice of what fits into our story – the movie of us. If the story we truly believe about ourselves says we are flawed then we will only include the times we have been flawed into our movie. Even if we have been a good friend at some point in our life we will delete or distort that memory and remember instead the time we were a bad friend. This is in order that our flawed friend story remains intact. If the story of you says you are flawed then fortunately, you can start again with a new story.

Choose something in your story you don’t like and start to notice the opposite. Mairead.